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“... to achieve a new kind, or degree, of truth to nature. This is restated in familiar terms by Graham Reynolds in Constable’s England, the sumptuous ‘book of the exhibition’ which recently closed at the Metropolitan Museum, New York, and Constable’s effort to paint exactly what he saw is well supported by the excellent plates which, for the ...”

“... and the management of his slippery reputation. It has borne the challenge bravely. The late Graham Reynolds, keeper of the Department of Paintings, wrote the catalogue raisonné and Mark Evans, curator of this exhibition, was also responsible for John Constable: Oil Sketches from the Victoria and Albert Museum, which toured to the United States in ...”

“... surveyors – if we want to know when control slipped out of the hands of the users of buildings. Graham Reynolds’s The Later Paintings and Drawings of John Constable has been awarded the Mitchell Prize for the History of Art. It is indeed an exhilarating book, in which it is possible to follow the general development of Constable’s work together ...”

“... to the end of her days. Her double life is the central theme of her granddaughter Ysenda Maxtone Graham’s often moving biography. Jan Struther was the pen name of Joyce Anstruther, a tomboy figure who was very much the embodiment of her own favourite word, ‘zest’. In 1923 she married a Lloyd’s broker, Tony Maxtone ...”

“... walking out of I’m a Celebrity, Get Me out of Here. The rise and fall of PiL, recounted by Simon Reynolds with great vividness and detail, is the archetypal story of the tumultuous pop music era of the late 1970s and early 1980s, known rather bloodlessly since as post-punk. Until recently, the PiL story was one of the few about post-punk that even keen ...”

“... paraded her unsentimental regrets on television screens. She cannot keep this up for long. Alan Reynolds, whose only son died on the Herald of Free Enterprise, went to the service for the bereaved in Canterbury Cathedral. There was tea for everyone afterwards, but not much sympathy. Alan says he approached Mrs Thatcher and asked her about the miserable ...”

“... unfold themselves, as do the characters of a group of English sailors. Only the second officer, Reynolds, a Dostoievskian sadist and nihilist, remains inexplicable. The development is partly through straight narrative, partly through the consciousness of the characters; and the texture is extremely dense. We never lose touch with the current situation and ...”

“... full colonels had joined up in the 18th century). The otherwise tolerably rational ” Sir James Graham, First Lord of the Admiralty, thought fighting alongside the French was ‘unnatural’ and refused to allow British ships to carry French troops. The prime minister, Lord Aberdeen, had expected war with France rather than Russia. Neither he nor Gladstone ...”

“... to see themselves as the heirs of Moore, Piper, Sutherland, Nicholson and Hepworth, let alone of Reynolds, Constable or Turner? And yet we wonder why our national tradition appears so enervated.’ Reynolds, Constable and Turner were all passionately patriotic and the first two were capable of the most crass disparagement ...”

“... as ‘the representative of the goddess of health in the more or less indecent exhibition of John Graham ... a quack-doctor’, but Ms Fraser dismisses this association with a Georgian peep-show on chronological grounds, and plausibly suggests that the legend was derived retrospectively from a Rowlandson cartoon that belongs to the years of her celebrity. By ...”

“... series. ‘I can’t face playing any more men with dusters. I don’t mean I want to play Burt Reynolds parts, only somewhere between him and Richard Wattis, say – those are the parameters.’She was a great woman, her performance of ‘Let’s Do It’ at the Albert Hall the stuff of legend. I just hope Noël Coward was still around to see it. I first ...”

“... of fiction. A number of facts may be checked. It is a fact, as Peterley writes, that in 1937 Graham Greene was chosen to edit an English imitation of the New Yorker called Night and Day, and it is a percipient comment, in view of the coming success of Horizon and the brief existence of Night and Day, that Cyril Connolly’s talent might have better ...”

“... to him and to people who knew him, he sent me an email after hearing an elderly classicist, Joyce Reynolds, speaking on the radio. Reynolds was born in December 1918. She is a scholar of Roman epigraphy. ‘I love her no-nonsense and no gush attitude,’ he said.When Feilding-Mellen was being roundly hated in the press ...”